I've been listening to death metal for a long time, and I've yet to find an album that sounds like this. Please consider supporting us by giving monthly PayPal donations and help keep PA fast-loading and ad-free forever. For example, the vocal work on this album is just insane. For its ability to present a wealth of satisfying songs based on a bonkers approach to music that has no business working as well as it does, Nespithe is an essential listen. The coiling guitars, manic drums, and burped vocals all twist around each other to maximize the strange and disgusting nature they each possess while keeping the rhythms complex, yet coherent. Keep in mind that this record was released in 1993, where bands like Nile, Necrophagist, Psycroptic and Dying Fetus hadn't released true Technical Death Metal per say. The Sixteenth Six-Tooth Son of Fourteen Four-Regional Dimensions (Still Unnamed) Demilich was one of the most obscure and unique bands to emerge from the early 90's death metal emission. Heh, I thought Vanden Plas offered their latest album Beyond Daylight for a full download, but they didn't. Well, first off is the mixing; it's atrocious. Of course, we can’t talk about Demilich without talking about Antti Boman’s vocals. This is alien colonisation music, this is what will be playing when some Zen-like creatures invade our reality and we are left hopeless and screaming. Not that there are many belching demon frogs as a vocalist in death metal, but that is about as close as you can get to describing the vocal style on this album. This makes you picture unexplored universes, the darkest depths of existance, and the most paranoid sectors of your mind. The belching bean-burrito burp vocals will turn some listeners off immediate, but to the uneasily swayed, there is richness and sophistication to enjoy here beyond almost anything else the genre has offered. 'Nespithe' - Demilich (10/10) In a genre defined by its unfettered commitment to extremity, it's rare for a death metal album to retain its stopping … I've been piddling around with a blank copy of this review for a long while, unable to really write down anything because reviewing something so fucking good is so damn hard. Who the hell knows. 24,99 € – 26,99 € Nespithe LP - 1st pressing! Exploration is taken further with unpredictable song construction that seems somewhat random but ,as stated previously, coherent. Oh, you're looking for highlights on this album? In fact some will probably dismiss it in seconds. I recommend you listen to the whole album from start to finish. It’s hard to describe, but the vocals here are just other-worldly. Music Reviews: Nespithe by Demilich released in 1993 via Pavement. This is easily a “top five” death metal album of all time for me, and there’s really no reason why anyone shouldn’t like it. In other words, this is not the best percussion one can hear in an album, but it is exactly what is needed. I realise that it will never be within my writing abilities to properly convey the majesty of this album's songwriting and performance, and that to many it will continue to be a candidate for dismissal based on it supposedly being just anothter faux-"strange" technical death metal album with too much of an emphasis on melody and vocals that to many can't possibly be taken seriously either by the person who performed them or the confused listener wondering what it was they were meant to accomplished. The human voice simply does not reverberate the way Antti's vocals do on this album, and the pitch is similar to a burp, a sound that a human cannot constantly do as displayed here. The full-length “Nespithe” is absolutely essential to any technical metal heads collection. In addition to the great music, the track titles are hilarious - "The Sixteenth Six-Tooth Son of Fourteen Four-Regional Dimensions (Still Unnamed)", and "Inherited Bowel Levitation - Reduced Without Any Effort". DEMILICH gehören zu den rätselhaftesten und eigenwilligsten Bands, die Finnland hervorgebracht hat. The parts on this album, and that's the beauty of it, are actually anything but good or appealing by themselves. The music presented on here is unorthodox not just by the standards of metal, but of music itself. 20th Adversary Of Emptiness 2CD - incl. However that is all but a small complaint. "The Sixteenth Six-Tooth Son of Fourteen Four-Regional Dimensions (Still Unnamed)" is a personal favorite of mine where Antti Boman gives us the briefing in eradicating all believers whether they are Satanists or Christians while being carried with this catchy verse riff that may or may not give you Nu-Metal vibes. Note the bizarre, surreal song titles as well. 20th Adversary Of Emptiness 2CD - incl. A simple, generalized blanket statement like that won't get me very far so it's best to explain that, isn't it? Because Demilich's Nespithe is all but simple. Review: Demilich hold true to the melodic tradition of Finnish metal by merging the heavy metal tradition of rich tonal space liberated by abstract conceptions of harmony with death metal, layering their ideas into songs where complexity silhouettes but does not illustrate an overall thematic space via postmodernist metastructuralism. Nespithe is a technical death metal music album recording by DEMILICH released in 1993 on CD, LP/Vinyl and/or cassette. Go download this classic now! While listening to the whole thing can be tiring, as the whole thing sticks to a plodding pace, and the drums are so tinny and processed that the semi-trained ear will laugh at this, but the atmosphere is hellish and twisted. While there’s certainly a proper method at work with these riffs, they sound liberated from conventional scales, pairing notes that wouldn’t normally go together. The interesting thing about it here is that it’s not muddy like it is on many Finndeath albums. Nothing could be a greater mistake than avoiding what is being presented on this record based on what its surface elements look like on paper. His voice is so low that it's still unclear whether or not he used some sort of voice-altering software to attain his hellish timbre. (full disclosure, I use the phrase "completely fucking weird" repeatedly throughout this review, and I stand by the repetition. Demilich delivered a tight set with a great deal of energy. Despite of the album’s mythological status of it being too weird and inaccessible for the normal ear, I would gleefully say the opposite. And just as tenacious as the concerns voiced in the second paragraph were prior to my subsequent indulgence, as swiftly they were washed away by the sheer quality of this album's writing and performance. Anyways, enough bashing the production. The musical structure of the album is convoluted and beyond chaotic, yet is coherent. I listen to this whole album and barely hear the vocals. Review. While the music can be difficult to follow due to its chaos, its countless riffs linger in the mind individually. Nespithe MC (DR76) 7,90 € – 9,90 € Winterwolf: Lycanthropic Metal of Death LP 18,99 € – 19,99 € Vive l'Adversaire! When the Sun Drank the Weight of Water download. The 20th Adversary of Emptiness reproduces a restored Nespithe complete with original art, adds two songs from the 2006 return of Demilich, and then compiles the demos of this formative band. I guarantee that by the end of it you'll fell like you've been away for hours when in fact only 39 minutes have passed! It was really just heavy and strong music, yet standard. deicide Valid complaints to be sure, but they seem so insignificant here. At this point there's no return and no tomorrow, just the insurmountable wall of blast beats and atonal riffing that Demilich brings you, complimented with a voice that would make any Alien run off to his mommy! Yet the solos are extremely enjoyable in their oddly melodic glory. I also mentioned the lowness of the drums, and that is a big problem. Moreover, there certainly is no love lost between myself and death metal that infuses a strong sense of melody, so if you praised the great melodies on this album, hell would freeze over before you got me even remotely interested. Lacking entirely in dynamic, Boman’s delivery may be something of a one-trick gimmick, but considering that there’s still nothing else quite like it twenty years after the album’s release, the vocals still stand as a boon to the album’s standing and immortality. Rhythm riffs ride underneath the leads or the solos, in a profound yet catchy sense, leaving you wanting more. An amorphous horror creeping towards your brain, devouring your will to live along the way, letting you sink into a nice safe zone to be devoured by this album eternally. So get yourself a diaper and some joint pain medication, because you will be headbanging and shitting yourself at the same time as long as this record is on. rosetta, Album Rating: 5.0The vocals don't sound silly, they're a huge part of why Demilich rapes so hard m/, Bands: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z. Description; Attributes; Reviews (0) Official worldwide licence from the band. Other reviewers may think I'm crazy, but Demilich's overall style sounds like a head-on collision of Disembowelment and Meshuggah, especially with the sound of Meshuggah's Nothing album. Guitars play chromatcially orientated melodic lines that tend to vary greatly in scalic hierachy,but always make sense in the context of the song. The guitars aren't constantly playing tremolo lines. Granted the album is a little hard to get into and kind of disorienting, but it does that so in a way that best shows off their skills and revels the most in their murky world of belching beasts and flesh-eating planets. So as I said above, this album is halfway good. You won't find yourself frequently headbanging to the guitar riffs, yet, much like Richard Wagner, you'll find yourself in awe of just how well they are assembled. This album is amazing. Both the sheer level of thought behind these arrangements and the keen instinct for their perfect interwoven combinations leave the listener astonished, almost in disbelief over how something so bizarre and unsettling can be made into something so grand. What if we were heavy without being overly aggressive? Intricate riffs and pounding blast beats are merged perfectly with complex rhythms and time changes that keep the listener hooked, not knowing what to expect next. I reviewed this album about 4-5 years ago, and I raved about how great this record was. The guitars weave riffs that jitter and twitch like thoughts inside the mind of a madman. Before it got removed, I had been meaning to update the review, it was very childish, it looked like a 15 year old had wrote it. Genres: Technical Death Metal, Death Metal. Luckily, Demilich have it on their website for free download, both in VBR~224kbps quality mp3 and FLAC formats. A landscape cluttered with fire, brimstone, tentacles, and weird, multi-limbed monstrosities certainly comes to mind as you wander through these ever-shifting labyrinths of odd, often dissonant progressions that constantly twist away from your attempts to comprehend them. I personally think his blast beats were the best of the early 90’s. Demilich, historically speaking, is one of the most important bands to have come out of the Finnish underground of the early nineties. It plays with what's technical, surreal, slimy, and pioneers an extremely alien sounding style of death metal with this album being a loner in style and among everything this band has created. The bass is very good, very audible and with deep tone, sounding at times as if it was a second guitar. The listener is wowed with an assembly of strange riffs and drum patterns which are difficult to follow the first time around. 0; Weight: 170.00 g. Band: Demilich. I mean everything else about this album is already so bizarre so fuck it, right? And this is probably the most famous Death Metal record to have come from that country, alongside Demigod's Slumber Of Sullen Eyes. Size: Price: $15.99. What Demilich does is to interweave these awful parts into a radiant piece of art. Ok, now I got my excessively descriptive sentence out of the way. Als die finnischen Death-Metaller DEMILICH vor gut 20 Jahren ihr erstes und einziges Album „Nespithe“ rausbrachten, hatten sie damit ein in jeder Hinsicht bemerkenswertes und einzigartiges Werk veröffentlicht. This is an album so original and well crafted, I literally can't find anything bad about it, nothing even mediocre or above average. Death Metal. This is a unique album, and should be appreciated as such. Then you had these freaks aboard the train, offering quite the heavy music (I think the tuning the band used to play and record was in standard A, which I think is insane for something that came out in the early 90s, when the majority of bands played between standard B to standard D, respectively), comprehensible and slow robotic death growls, while still using traditional death metal standards. Yet regardless, there are many moments throughout this album when the guitars do come together to make something which most death metal would find admirable. They are insidious, but also at the same time their insanity carries a lot of skill. I cannot imagine any other vocal style fitting the music as well as these vocals do. It's sort of like the death metal answer to psychedelic rock. Most are twangy, some are death/thrashy, but all of them seem to fit into place. It's a genre-warping, mind-bending experience. Perhaps one of the most remarkable things about this record is just how different it sounds to the rest of what this unremitting genre has to offer. What some people tend not to notice, however, is that this is generally some of the weirdest music in all of metal. In short, the package is an exemplary geek-out, the perfect epitaph for a band as alien as Demilich. Although an acquired taste, the belching gutturals are eerie like nothing else. They have a certain dynamic which is hard to explain, but their sound is very much that of "extraterrestial" sludgy, melodic death metal (with grindy passages no less). It's a sci-fi movie almost, with the twisting, burrowing guitars jumping from riff to riff, melody to atonal melody, all kept in some sort of awkward alignment by the drum work. PROG REVIEWER. DEMILICH Nespithe music review by toroddfuglesteg Progarchives.com has always (since 2002) relied on banners ads to cover web hosting fees and all. ...and so on and so forth. Indeed, these are some of the weirdest vocals in all of metal. Unlike Nothing, this has quite a lot of soloing, which is always refreshing to hear in death metal. Demilich was one of the most obscure and unique bands to emerge from the early 90's death metal emission. It’s a shame that some listeners can’t look past Demilich’s vocal choices, because even if Boman’s vocals lack the range of a more conventional masterpiece, they still come secondary to the otherworldly riffs that consume Nespithe. They were so far ahead that they didn’t bother to make a sequel. I don't know what possessed these drunk Finnish guys to write this mind-warping record, but I'm really glad they did. It all creates a certain aesthetic flow that can only be compared to the beauty of the workings of the universe themselves. The guitars are without a doubt enjoyable. It's technical, but at the same time it never loses that loose feel that is so typical of Scandinavian death metal. The guy behind the kit shows us that with the least amount of technicality (because, frankly, I've heard way more intricate drumming) you can serve the music 100%. (I wont give you the timestamp, you will know what i'm talking about when you listen to it) This album really is like none other. huh so i checked this out it was pretty cool Sure, they are slightly inaudible, but not enough to ruin them as is the case with the guitar tone. A truly legendary death metal album in every construct and one, which although might not have changed the general consensus to this genre, will remain a pillar of death metal for all time. Because simply put, it's not a matter of a couple of good riffs strung up into something great. Think back to early Scandinavian extreme metal and one immediately thinks of Sweden - Bathory, Nihilist, Dismember, Entombed and so on; Finland rarely comes into it. Nespithe is a writhing mess of death metal turned upside down and inside out and twisted into a non-Euclidean shape that, even 26 years later, remains unique. I do at times imagine the album with some more traditional growls and/or screeches, it still will be a fantastic and alien album but the characteristic bizarreness is lessened. No other band sounded like this that I know of and the overall technical prowess of this band was a tier above all others in the death metal scene in that era. In fact, it feels planned out in a way that probably shouldn't be comprehended by mere humans. We’ve covered the 5 greatest death metal albums of 1989, 1990, 1991 and 1992 and 1993 found death metal continuing on its all-conquering path, resulting in a collection of releases that would go down in history as classics of the genre!. Edit Release All Versions of this Release New Submission . Nespithe sounds like a mix of Mental Funeral era Autopsy, Necroticism era Carcass, and Unquestionable Presence era Atheist. Ordinarily it’s dealt with from the perspective of a criminologist, callous and apathetic, like an autopsy. Hypnos. Genre: Death Metal. I must admit the vocals were quite off-putting during the first listen, but now I just find them funny and honestly somewhat fitting to the album. The music on "Nespithe" is technical, twisted and … Whether these guys are blasting, building, squealing out a solo, or dishing out a rare mosh groove, Demilich always manage to sound like their music is creeping and spiking along in manic patterns that accent this album's level of Lovecraftian insanity. There has not been one band I have heard (and I've heard quite a few) that does these guttural but somewhat understandable growls...? The riffs are extremely technical, but not in the "these techniques are so crazy" way that bands today seem to do with endless sweep picking. Demilich really only have one full-length to their credit, Nespithe, which was originally releases in 2000, but the crowd was obviously intimately familiar with the material and roared along. This is the kind of album that takes a while to get used to and it wouldn't surprise me if this was initially off-putting to some people, but the music on hand really holds together well despite the insanity and mixes in a way that comes off as natural. Printed on both sides Base: Fruit of the Loom Material: 100% cotton Nespithe is a technical death metal music album recording by DEMILICH released in 1993 on CD, LP/Vinyl and/or cassette. For most Finndeath, that really isn’t necessary. Nespithe MC (DR76) 7,90 € – 9,90 € Winterwolf: Lycanthropic Metal of Death LP 18,99 € – 19,99 € Vive l'Adversaire! It’s odd to find that the atmosphere on any album can be most defined by the vocals, but this is certainly the case here. tank top with signature – Professional Edition 15,99 € 9,99 € Nespithe is the kind of album that is unique, but also very good, and very mind-bending with how it presents itself in a way that few would dare to imitate. Alive AG Nespithe. The distortion they use is one of the best I've heard, and along with the odd riffing it only ads to that otherworldly feeling. This sounds nothing like any 'technical death metal' I have ever heard. Model: 04346. Multiple listens are required to get a good grasp of what it is all about. The amazing thing about Nespithe is that it was all accomplished with just one guitar. The lyrical themes are the obscure part that made this band significant, not just the experimental music. True bizarreness is something to be treasured, and it is for this reason that so many death metal fans hold Demilich’s only full-length album so dearly. Swamp you will a swirling wall of sound unlike anything I ’ ve yourself... Discovery of heavy metal, and the classic cover is included as well as these vocals.. A kind performance somewhat random but, as opposed to the last detail catchy, despite what some have,., a putrid, Rotten sound and only full-length ever put out by Demilich but... 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