tippy('#footnote_plugin_tooltip_1524_1_5', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_5').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Among these people, "the term southern gospel," as I have noted elsewhere, "was not used to describe the music [in its professional, commercialized form] until the 1970s and did not gain widespread use until the 1980s. Black gospel draws heavily on southern lifeways, many of its biggest stars have been from the South, and it has always found a good portion of its audience there. In its current, commercial form, this tradition "is most powerfully defined by common historical, economic, social, and cultural connections among professionals and fans to a constellation of corporate and professional organizations that anchor the creation, consumption, and commemoration of the music," Gaither Homecoming among them. Comparatively little has been published about The Martins's biography beyond birth, marriages, and professional accomplishments.41The basic details provided here derive largely from The Martins's disclosures on stage, press coverage, conservations I have had with industry professionals, and my experience. In its resurgence, one hears from the gospel stage and in other acts of self-representation an intensification of emphasis on social resentment and cultural grievance. Today southern gospel is found in areas of the United States and lower Canada with concentrated populations of white fundamentalist evangelicals.5For more on the demographic profile of southern gospel see Harrison, Then Sings My Soul, 175180. DVD. Joyce Martin-Sanders photos, including production stills, premiere photos and other event photos, publicity photos, behind-the-scenes, and more. Joyce Martin McCollough . The videos still air regularly on many local-access religious television channels, but sales today are largely driven through merchandizing at concerts, the Gaither Homecoming Magazine, syndicated radio shows on terrestrial and satellite radio, and not least of all through the Gaither online store. Unlike "northern urban" gospel (a phrase with no currency outside academe), it is the preferred way to self-identify within the culture and the most widely recognized way to describe the music to outsiders. The Martins Biography, Songs, & Albums | AllMusic Religion Dispatches. However, a 1993 appearance on the Gaither Homecoming series helped transform The Martins from an avocational regional trio into a professional act with a national following in fundamentalist Christian entertainment. It is in this tradition of pietistic, blood-bought, soul-saving, life-giving harmony of the one true way to Christ that The Martins were raised and trained. See also Other Works | Publicity Listings | Official Sites View agent, publicist, legal and company contact details on IMDbPro Getting Started | Contributor Zone Contribute to This Page Edit page Personal Details The Martins's family narrative emphasizes anti-modern, unsophisticated, and materially modest childhoods, reinforced with a washed-out photo of the family's ramshackle cabin. Joyce Martin Sanders | Christian Music Archive tippy('#footnote_plugin_tooltip_1524_1_30', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_30').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Indeed, the style of four-part male harmony for which professional southern gospel is most well-known has been historically linked to the practice of piety and lived religious devotion in the premillennial dispensationalist tradition.31Premillennial dispensationalism has been the dominant theological paradigm for fundamentalist evangelicals in the United States since the mid-nineteenth century. Though the publication of "He Leadeth Me" predates the popularization of the term of "gospel hymns" (which is most commonly sourced to Philip P. Bliss's Gospel Songs [1874] and Bliss and Ira D. Sankey's Gospel Hymns and Sacred Songs [1875]), the song's style anticipates the dominant features of the gospel hymn and is customarily treated by gospel singers and fans as part of the corpus of gospel hymns that remain popular in southern gospel. Bill Gaither, Tallahassee, Florida, 2006. Durham: Duke University Press, 2003. Before then the music was simply known to its practitioners and fans as gospel. [5] Jonathan Martin (b. Trey is 20 and lives and works in Nashville only a few miles from his mom. April 13, 2013, accessed October 15, 2013, http://bber.unm.edu/. Siblings, Joyce, Jonathan and Judy, collectively known as The Martins, have enjoyed count- less radio hits and performances at concert halls, arenas, auditoriums and churches worldwide. While CCM is less fundamentalist than southern gospel, it participates in the long drift of conservative evangelicalism toward separating itself from the wider world of American life and culture. Goff, Close Harmony, 264282, traces these and other important bluegrass groups in southern history. The Martins's singing by the sea resonates with the disjunction of three "kids" from a cold-water backwoods shack harmonizing in an exotic locale with an international gospel touring company. The interviews are actually excerpts taken from long conversations filmed in a homey setting in which The Martins sit side-by-side on a large couch facing the camera and Bill Gaither sits in an overstuffed armchair to the right of the frame. In the late 1980s and early 1990s, The Martins performed mostly in the southern half of the Mississippi Delta region and recorded self-financed albums. See Harrison, Here, I am borrowing an image first popularized by Ray Stevens in ", Although CCM borrows heavily from mainstream secular music and performance styles, it does so to cultivate a canon of popular music that signifies Christianity's cultural relevance and the music's evangelistic savvy, while claiming a special status derived from CCM's pious commitments to conservative evangelical values and theological positions. See Shearon, email to H-Southern Music Network mailing list, March 27, 2009. Do you know any background info about this artist? North American gospel history and the cultural realities of contemporary southern gospel defy further generalization. The siblings all lived most of their formative years in Arkansas, where they learned to sing and with which their comments in public indicate a strong identification. NQC's leadership recently announced that the event will take up residence in a regional conference center at Pigeon Forge, Tennessee.36Sheldon Shafer, "National Quartet Convention Ending Long Run in Louisville," Louisville Courier-Journal.com, September 3, 2013, accessed October 1, 2013, http://www.courier-journal.com/article/20130903/SCENE04/309030069/. For more on southern gospel's shift within Christian entertainment from a "dominant" to a "residual" status, see Harrison, "Seeker" sensitive models of congregational development and worship emerged in the 1970s and 1980s as part of the so-called church-growth movement, an organized effort to expand church membership and participation beyond traditional populations. Joyce is married to Paul Sanders, a singer/songwriting musician, currently a member of the country band, Shenandoah where he plays bass and sings harmony. tippy('#footnote_plugin_tooltip_1524_1_34', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_34').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); For the past fifteen years or so, professional southern gospel groups, including The Martins, regularly dissolved and re-formed, or disbanded outright under the constant pecuniary strain of small crowds and even smaller free-will love offerings, and the upheavals these instabilities introduce into private life. . UrbanaChampaign: University of Illinois Press, 2012. Today's professional southern gospel includes many family and mixed gender foursomes and trios, configurations that were and are common in the singing convention world that dominated southern gospel in the late nineteenth century and early twentieth century. Directed by Bill Gaither. Broadcasting Since 1973. The Martins grew up in Northeast Louisiana, where their parents encouraged them to make a joyful noise. tippy('#footnote_plugin_tooltip_1524_1_31', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_31').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); It is in this tradition of pietistic, blood-bought, soul-saving, life-giving harmony of the one true way to Christ that The Martins were raised and trained.32For more on The Martins's biography, see the following section and note 41. tippy('#footnote_plugin_tooltip_1524_1_32', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_32').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Their success in the late 1980s and early 1990s coincided with the resurgence of cultural separatism that has come to dominate southern gospel discourse.33This element of cultural separatism has reemerged in the past generation within southern gospel. But I'll say this: I've never been more honored to sing about Jesus and for Jesus. This essay is interested primarily with professional southern gospel, which descends from convention singing but has been distinct from it since the 1930s and 1940s. This movement was popular among (though not exclusive to) non-denominational evangelical megachurches. And both black and white gospel have "borrowed those aspects, reinterpreting them for their own cultures" and purposes. CCM emerged as the musical avatar of those conservative evangelicals who believed it was a mistake for Christians to concede entire swaths of popular culture to secular tastes and values in the name of resisting worldliness and impiety. Judy Martin is married to Jake Hess, Jr., the son of the legendary southern gospel lead singer Jake Hess. Here the Arkansas imaginary is in operation. "51Harrison, Then Sings My Soul, 5. tippy('#footnote_plugin_tooltip_1524_1_51', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_51').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); As The Martins achieved fame and renown, they did so less because of what and how they sang, and more because of the way in which they have presented themselves and their music, and the way the Gaither Homecoming appropriated them as children of traditional gospel values at a moment when the viability of these values was perceived to be in question. Still, the cultivation and creation of twentieth-century commercial black gospel's golden age (19451960) was largely rooted in Chicago, Philadelphia, and other urban centers in the Midwest and Northeast where many black southerners moved during the Great Migration. Finally, I'm grateful to The Martins and so many other southern gospel performers for making music that has held me in thrall and demanded to be taken seriously. Then Sings My Soul: The Culture of Southern Gospel Music. Since at least the late 1970s, southern gospel's fortunes, measured by market standards, have trended downward, a decline attributed to broader trends within commercial Christian music entertainment and more broadly within fundamentalist and evangelical Protestantism.As the fortunes of southern gospel have declined, those of Contemporary Christian Music (CCM) have risen. Cine d'aventuras - Biquipedia, a enciclopedia libre Southern Gospel's Decline and the Sister-Bertha-Better-Than-You Effect, The Cultural Consolations of the Hillbilly, Tradition, Progress, and Cultural Instability, Music Album Sales in the United States in 2012, by Genre, The Gospel Church and the Ruining of Gay Lives: An Interview with Anthony Heilbut, Natalie Grant Responds after Leaving Grammys Early, National Quartet Convention Ending Long Run in Louisville, Then Sings My Soul: The Culture of Southern Gospel Music. tippy('#footnote_plugin_tooltip_1524_1_40', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_40').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); while emphasizing cultural texts and discourses. From Arkansas With Love demonstrates southern gospel's influence. Created by: siremidor on 28-March-2013 - Last Edited by admin on 07-January-2016. When was singer Joyce Bryant born? The core of this essay began as a conference paper for the 2013 conference of the Society for American Music. Pamela Fox has noted that "while academia has for the most part abandoned the authentic as any kind of meaningful analytic category," the vernacular music of southern, white, rustic life and experience has "tended to preserve it. Taylor's development of the social imaginary builds on (but also departs from) Benedict Anderson, Imagined Communities (London: Verso, 2006). See Goff, Close Harmony, 233236, 269274. The noticeable absence of non-whites in these films, like the assumptions at work in Blevins's account and Gaither video, suggests to the degree to which whiteness remains largely unelucidated as a structuring category of identity, ideology, and religious belief in southern gospel. Why did Joyce Martin of the Martins divorce? - Answers Such an assumption would not be wholly unjustified.9The conflation of "southern" and "white" to describe this music circulates widely among scholars and non-specialists, but has only been tentatively stated in scholarship. tippy('#footnote_plugin_tooltip_1524_1_7', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_7').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); "southern gospel" brings with it additional layers of interpretive complication regarding race, class, and geography. The Martins hail from Hamburg near the Louisiana border in Ashley County, in the southeast quadrant of the state, where the west Gulf coastal plain meets the Mississippi Delta. Most fundamentalists and many conservative evangelicals believe this return will be presaged by certain historical events, including cataclysmic conflict between Arabs and Jews in the Holy Land, the rise of Anti-Christ, and the emergence of a one-world order. "Home" functions primarily in southern gospel as a meaning-making tool for experience in this life, not the next. This dynamic was captured in the 2014 Grammys. "The Gospel Church and the Ruining of Gay Lives: An Interview with Anthony Heilbut," interview by Douglas Harrison. Jonathan Martin and his wife, Dara, live in Des Moines with their six children (Craig Harris, ", In the 1990s and early 2000s, Gaither Homecoming was popular on the now-defunct TNN cable channel. (See Harrison, Then Sings My Soul, 182183). Home; Labels; News; Engage. What started in Hawaii more than a decade earlier ends in Studio A in Andersonville, Indiana, with Gaither presiding as witness to The Martins's musical authenticityby sea, in the studio, (notionally) on command, at home among southern gospel's Homecoming Friends or in faraway lands. Premillenialists espouse a literalist interpretation of scripture that foresees the imminent return of Christ to earth. See Harrison. Examples of changes and shifts within professional southern gospel since 1990 include the disbanding of numerous groups as well as the retirements and deaths of many of the mid-twentieth century singers who anchored the genre's golden era. Marquee ensemble singers who once would have driven a group's fame and success today leave ensemble work and go solo to cut costs and stay viable.35Examples of changes and shifts within professional southern gospel since 1990 include the disbanding of numerous groups as well as the retirements and deaths of many of the mid-twentieth century singers who anchored the genre's golden era. For them, Gaither's interview effectively constructs and encourages audiences to see in The Martins representative, unifying figures of white, evangelical populism whose home is, as Bethany Moreton has shown in her study of Wal-Mart and evangelicalism, the Ozarks of northern Arkansas and south-central Missourithe literal geographic location in which Gaither's colloquy imaginatively relocates The Martins. The Martins. Nathaniel Crawford (Eugene: Wifp and Stock, 2011), 84. tippy('#footnote_plugin_tooltip_1524_1_22', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_22').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Southern gospel is overwhelmingly a product of evangelical fundamentalism. Clearly this story of The Martins's beginning as Homecoming Friends is important to them because they are depicted in the narrative as so natively talented that Bill Gaither purportedly allows them to perform without ever having himself auditioned them. GMA has drastically shifted its outreach and marketing emphasis toward black gospel artists and groups, going so far in 2011 as to move the Dove Awards from Nashville's Grand Ole Opry to Atlanta, the unofficial capital of black gospel music. The Martins Biography by John Bush A brother-sisters trio of a cappella gospel harmonizers, the Martins consist of Joyce Martin McCollough, Jonathan Martin and Judy Martin Hess. Gaither Gospel Series DVD cover. And I've never been more sure of the path I've chosen." Bill Clinton's presidential campaign used the Traveler name and image as a way to strengthen his populist appeal running against a Washington insider. Southern gospel's negotiation of them has often manifested in overt racism or a way of thinking, talking, and singing that renders whiteness falsely normative. tippy('#footnote_plugin_tooltip_1524_1_4', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_4').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); This musical culture subsequently spread across trans-Appalachia, and then later throughout the Midwest, Southwest, and, after the Great Migration of white southerners in the postWorld War II era, into other parts of the United States influenced by southern migration. The basic details provided here derive largely from The Martins's disclosures on stage, press coverage, conservations I have had with industry professionals, and my experience. See ". Kim Hopper, Joyce Martin Sanders, Shane McConnell - YouTube Though the publication of "He Leadeth Me" predates the popularization of the term of "gospel hymns" (which is most commonly sourced to Philip P. Bliss's, While David Fillingim argues that "home" as a concept in southern gospel allows its participants to imagine and explore a flight from material hardship and social marginalization in this world (in favor of an eternal home of magnificence in heaven), my research suggests that in southern gospel "home" serves to give concrete, graspable shape to abstract theological concepts and spiritual experiences for ordinary Christians in the here and now. "Gospel Music." Fox, Pamela. Biography Mini Bio (1) Joyce Martin-Sanders is known for Gaither's Pond (1997). Its fans and participants aspire to transcend or dissolve regional expectations, theological boundaries, and denominational classifications. "2Ibid., 2. tippy('#footnote_plugin_tooltip_1524_1_2', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_2').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); This tradition is distinctive for its cultivation of close harmony sung in ensemblestraditionally male quartets, a formation that dominated the commercial sector of southern gospel through roughly the first half of the twentieth century, and more recently, mixed-gender foursomes and trios, often comprising family members.3Today's professional southern gospel includes many family and mixed gender foursomes and trios, configurations that were and are common in the singing convention world that dominated southern gospel in the late nineteenth century and early twentieth century. Although southern gospel is undoubtedly white, not all white gospel is southern, and not all gospel of the US South is white.11Following Harry Eskew's lead in the Grove Music entry for Gospel Music, Stephen Shearon uses "northern urban" gospel to designate commercial Christian music of and for primarily white Protestants that emerged in the late-nineteenth- and early-twentieth-century revivalism in urban areas outside the South. October 14, 1928 in San. When and where did baseball player Bob Joyce die? "Southern gospel" remains the preferred term in the study of white gospel music of the South. The Martins appear to possess an unadorned, God-given popularity that abides in their embodiment of white tradition and progress. During the last three decades of the twentieth century, these conservative evangelicals and fundamentalists ceased perceiving themselves in the Nixonian paradigm as a silent majority existing voicelessly and invisibly within mainstream US politics and culture. In this context, gospel music functions as a style of vernacular religious entertainment and a form of evangelical cultural experience transcending denominations or confessional traditions. Joyce: So we went into the bathroom. Premillenialists espouse a literalist interpretation of scripture that foresees the imminent return of Christ to earth. The Martins recorded five independent albums prior to their breakout. [South Barrington, IL: Willow Creek Association, 2007]). Several prominent bluegrass and old time families have been mainstays of southern gospel since family acts began to emerge in the 1930s and 1940s: most prominently, The Lewis Family and The Chuck Wagon Gang, and later the Primitive Quartet, The Easters, and The Isaacs. How did the singer Joyce Sanders of the Martins lose weight?